The Writers Guild of America and Hollywood’s top media companies reached a tentative agreement Sunday that could resolve the writers strike and bring a close to one of the longest walkouts in entertainment industry history.
“WGA has reached a tentative agreement with the AMPTP,” the guild said in a statement. “This was made possible by the enduring solidarity of WGA members and extraordinary support of our union siblings who joined us on the picket lines for over 146 days.”
The union said that there would be no further comment at this time and that details will be released after the WGA West Board and the WGA East Council vote on the agreement, tentatively scheduled for Tuesday. Members would then need to ratify it with a vote.
“We can say, with great pride, that this deal is exceptional — with meaningful gains and protections for writers in every sector of the membership,” the guild negotiating committee said as part of the union’s statement.
Picketing was suspended Sunday night.
Thousands of screenwriters headed to the picket lines May 2, almost 150 days ago, after the WGA failed to reach a deal on a new contract with the Alliance of Motion Picture and Television Producers, the trade association that bargains for studios and streaming services such as Disney and Netflix. (The group represents NBCUniversal, the parent company of NBC News.)
The tentative agreement caps five straight days of negotiations, including the appearance Thursday of Disney’s Bob Iger, Netflix’s Ted Sarandos, Warner Bros. Discovery’s David Zaslav and Comcast’s NBCUniversal Studio Group Chairman Donna Langley, a source familiar with the discussions said. (NBC News is owned by Comcast.)
Los Angeles Mayor Karen Bass is already banking on a much-needed conclusion for a city powered in part by entertainment.
“Now, we must focus on getting the entertainment industry, and all the small businesses that depend on it, back on their feet and stronger than ever before,” she said in a statement.
SAG-AFTRA congratulated the writers Sunday night for having come to an agreement and wished the same for its actors, broadcast announcers and other members. “We remain on strike in our TV/Theatrical contract and continue to urge the studio and streamer CEOs and the AMPTP to return to the table and make the fair deal,” the organization said in a statement.
The writers and actors share similar demands, including higher base compensation, a bigger cut of project royalties (known as residuals) and stricter protections against the use of artificial intelligence.
The strikes have upended the film and television business, throwing thousands of people out of work and shutting down production on most scripted entertainment, from big-budget movies to late-night talk shows and streaming series. In interviews, writers, actors and behind-the-scenes crew members have described the financial hardships of the industry shutdown.
The studios say they have taken a hit, too. Warner Bros. Discovery, for example, said in a Securities and Exchange Commission filing this month that it assumes it will be “negatively impacted” by the dual strikes to the tune of up to $500 million.
The strikes come amid intense structural upheaval in Hollywood, which is grappling with how to embrace the digital era, survive the decline of traditional broadcast viewership and manage the rise of AI technologies, many of which have stoked anxiety about the future of all creative professions.
WGA members last went on strike in November 2007 amid an impasse with the studios over writers’ salaries and other issues. The work stoppage, which clogged Hollywood’s content production pipeline, lasted 100 days, ending Feb. 12, 2008. The longest strike in WGA history was 154 days in 1988.